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King, Charles (Depicted)&#13;
King, Harlen (Depicted)&#13;
King, Billy (Depicted)&#13;
unidentified others (Depicted)&#13;
Hemmig, Robert (Photographer)</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1518">
                <text>The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices for additional rights and restrictions.&#13;
&#13;
The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.&#13;
&#13;
A small subset of the sound recordings in this collection (36 items) are not included in this online presentation because the underlying musical lyrics or works may be protected by copyright. Researchers with an interest or need to review the entire body of material are encouraged to contact the American Folklife Center. The staff of the American Folklife Center is eager to learn more about the musical compositions and performers included in the collection and encourages the public to contact them with any information.</text>
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                <text>Featured in : Printable Timeline  | 1900 to 1949  | Timeline  | Articles and Essays  | The Library of Congress Celebrates the Songs of America  | Digital Collections</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>American Forklift Center</text>
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                <text>The Peachite Vol. II, No. 2, Folk Festival Number, March 1944</text>
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                <text>-  The arrangement of "Get Right, Stay Right" on page eleven has been reproduced with the permission of the family of Willis Laurence James.&#13;
-  The arrangement of "This Ol' Hammer" on page seventeen has been reproduced with the permission of the family of John Wesley Work III.&#13;
-  The drawing of W. C. Handy on page two has been reproduced with the permission of the family of Bettina Steinke.</text>
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                <text>Part of&#13;
Lewis Jones and Willis James Recordings at Fort Valley State College (61)&#13;
Now What a Time: Blues, Gospel, and the Fort Valley Music Festivals, 1938 to 1943 (182)&#13;
American Folklife Center (36,301)&#13;
American Memory (531,060)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices and Privacy and Publicity Rights for additional information and restrictions.&#13;
&#13;
The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.&#13;
&#13;
These collections were presented with the consent of members of the families of John W. Work III and Willis Laurence James. We were unable to locate members of Lewis Wade Jones' family. Attempts were made to contact the performers in this collection, but our letters were returned. We welcome any further information about Lewis Jones and the performers featured in this presentation.&#13;
&#13;
The following materials are included in this online Collection with permission.&#13;
&#13;
The Peachite, March 1944 Festival Edition (Vol. II, No. 2), with permission of the Mass Communications Department, Fort Valley State University, 1005 State University Drive, Fort Valley, Georgia 31030, Attn: Lloyd Archer.&#13;
&#13;
Drawing of W. C. Handy (part of The Peachite as reproduced here), with permission of the family of Bettina Steinke.&#13;
&#13;
Arrangement of "Get Right, Stay Right" (part of The Peachite as reproduced here)and correspondence by Willis Laurence James, with permission from the family of Willis Laurence James (Minnie-Rose J. Richardson: mrose@snet.net).&#13;
&#13;
Arrangement of "This Ol' Hammer" (part of The Peachite as reproduced here)and correspondence by John Wesley Work III, with permission from the family of John Wesley Work III.&#13;
&#13;
Quotation from The Dream Keeper and Other Poems by Langston Hughes, with permission from Harold Ober Associates Incorporated.&#13;
&#13;
Selection from Red River Blues by Bruce Bastin. Copyright 1986 by the Board of Trustees of the University of Illinois Press. Used with permission of the University of Illinois Press, 1325 South Oak Street, Champaign, Illinois 61820-6903.&#13;
&#13;
Credit line&#13;
&#13;
Please cite the source collection title, collection number, and repository, for example:&#13;
&#13;
John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035), American Folklife Center, Library of Congress&#13;
&#13;
Lewis Jones and Willis James Recordings at Fort Valley State College (AFC 1943/012), American Folklife Center, Library of Congress&#13;
&#13;
Fort Valley, Georgia, Recordings (AFC 1944/003), American Folklife Center, Library of Congress</text>
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                <text>American Memory: Library of Congress Poetry Resources (Virtual Programs &amp; Services, Library of Congress)</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>-  El Rio FSA Camp for Mexican Migrant Workers&#13;
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                <text>-  a) El Rio, Cal. - FSA Camp for Mexican fruit pickers. Front gate - 1941 (handwritten on reverse); b) Yeah - what did they have to say about it! Look at the kid on the left! (handwritten on reverse)</text>
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Charles L. Todd and Robert Sonkin</text>
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                <text>Voices from the Dust Bowl: The Charles L. Todd and Robert Sonkin Migrant Worker Collection, 1940 to 1941 (533)&#13;
American Folklife Center (36,301)&#13;
American Memory (531,060)</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices for additional rights and restrictions.&#13;
&#13;
The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.&#13;
&#13;
A small subset of the sound recordings in this collection (36 items) are not included in this online presentation because the underlying musical lyrics or works may be protected by copyright. Researchers with an interest or need to review the entire body of material are encouraged to contact the American Folklife Center. The staff of the American Folklife Center is eager to learn more about the musical compositions and performers included in the collection and encourages the public to contact them with any information.&#13;
&#13;
Credit line&#13;
Charles L. Todd and Robert Sonkin migrant workers collection (AFC 1985/001), American Folklife Center, Library of Congress</text>
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&#13;
http://hdl.loc.gov/loc.afc/afcts.p014</text>
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-  African Americans--Women--1930-1940&#13;
-  Freedmen--Arkansas--1930-1940&#13;
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                <text>She uses the large battered tin can for a stove and does her cooking on it. Aunt Julia Ann is an ex-slave and was grown woman when the Civil "Wah broke out."</text>
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                <text>Works Progress Administration </text>
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                <text>Portraits of African American ex-slaves from the U.S. Works Progress Administration, Federal Writers' Project slave narratives collections.</text>
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