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                <text>Cavalcade of the American negro the story of the Negro's progress during 75 years, compiled by the Illinois Writers Project / / Cleo.</text>
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                <text>A poster advertising a book by the Federal Writers Project on African American History from 1965-1940.</text>
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                <text>By the People, for the People: Posters from the Wpa, 1936 to 1943 </text>
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    United States. Works Progress Administration (Ill.), sponsor &#13;
    Federal Art Project, funder &#13;
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Hemmig, Robert (Photographer)</text>
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                <text>Charles L. Todd and Robert Sonkin Migrant Workers Collection (AFC 1985/001)</text>
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                <text>Voices from the Dust Bowl: The Charles L. Todd and Robert Sonkin Migrant Worker Collection, 1940 to 1941 (533)</text>
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                <text>The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection.</text>
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                <text>The cover of the Tom Tom Newsletter created and published by the Blackfeet Tribe in Browning, MT.</text>
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                <text>The CCC Indian Division</text>
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                <text>https://www.archives.gov/publications/prologue/2016/summer/ccc-id.html</text>
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                <text>King William was King James' son</text>
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                <text>A song about King William and how to find love.</text>
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                <text>Dust jacket notes: Includes two versions of song. George Vinton Graham, vocals and guitar. Recorded by Sidney Robertson Cowell in San Jose, California on July 9, 1939. Forms part of a group of field materials documenting George Vinton Graham performing Anglo-American songs on October 12, 1938, December 3 and 7, 1938, July 9, 1939, and August 16, 1939, collected by Sidney Robertson Cowell in San Jose, California.</text>
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                <text>Forms part of: W.P.A. California Folk Music Project collection</text>
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                <text>Old Sam Finley had a pig</text>
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                <text>A children's song from the early 1900's.</text>
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                <text>Mrs. Byron Coffin, Sr., vocals and piano. Recorded by Sidney Robertson Cowell in Alameda, California on April 6, 1939. Forms part of a group of field materials documenting Byron Coffin, Sr., Mrs. Byron Coffin, Sr., and Byron Coffin, Jr. performing Barbary Coast tunes, American popular songs, and ragtime music on April 6, 1939, collected by Sidney Robertson Cowell in Alameda, California.</text>
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                <text>Interviews with women working in New York.</text>
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                <text>Production Notebook from San Francisco production of Power (cover). Finding Aid Box 1056</text>
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                <text>Migrant camp, Weslaco, Texas</text>
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                <text>Local employment men say that there was no need for migrant labor to handle the citrus and vegetable crops in the valley, the local supply of labor being ample for this purpose. Most of the local labor is Mexican and the labor contractors favor Mexican labor over white labor, partly because the Mexican will work much cheaper than whites. One white woman who was a permanent resident (her husband was on WPA (Works Progress Administration/Work Projects Administration) said that the white people who lived in the valley, had no trouble with the Mexicans. The Mexicans were good neighbors, she said, always willing to share what they had. She said the white migrants who came into the valley and resented and misunderstood the Mexicans caused the trouble between the two races. Some towns in this section permit camping only in trailers. The charge for camping in tents is about fifty cents per week, including water, which in some cases must be carried four city blocks. Privies are tin, very bad condition. Garbage is collected only once a week, with large dumps of decaying fruits and vegetables scattered among the camps. Some of the white migrants in this camp were very suspicious of governmental activity, due to the use by south Texas newspapers of the term "concentration camps" referring to FSA (Farm Security Administration) camps </text>
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